....The less you know, the better....

The less you know, the better. To be philosophical, to be dogmatic, to be doctrinaire – this is easy.
To tackle a problem intellectually is very easy. But to tackle a problem existentially – not just to think
about it, but to live it through, to go through it, to allow yourself to be transformed through it – is
difficult. That is, to know love one will have to be in love. That is dangerous because you will not
remain the same. The experience is going to change you. The moment you enter love, you enter a
different person. And when you come out you will not be able to recognize your old face; it will not
belong to you. A discontinuity will have happened. Now there is a gap, the old man is dead and the
new man has come. That is what is known as rebirth – being twice-born

OSO dialogues

Ladies and Gentlemen,

Itni shiddat se maine tumhein paane ki koshish ki hai,
Ki har zarre ne mujhe tumse milaane ki saazish ki hai,
Kahte hain agar kisi cheez ko dil se chaaho, to poori kayanaat usay tumse milaane ki koshish mein lag jaati hai.
Aap sab ne mujhe meri chaahat se mila diya. Thanks. Thanks very much.
I feel like the King of the World.

Ladies and Gentleman,

Aaj iss baat ka bhi yakeen ho gaya ki humari filmo ki tarah humari zindagi mein bhi
end thak sab kuch thiik he ho jaata hai. Happies ending.
Aur agar thiik naa ho, tho wo The End nahi... picture abhi baaki hai mere dost, picture abhi baaki hai.

I love you, I love you all!!....




Ek chutki sindoor ki keemat tum kya samjhoge Ramesh babu,
Eeshwar ka aashirwaad hota hai ek chutki sindoor.
harr suhaagan ka taj hota hai ek chutki sindoor,
harr aurat ka khwaab hota hai ek chutki sindoor."

Mausam yeh awesome bada!

Singer: Shreya Ghosal

Sun sun sun sun to aye hawa
Na chal tu yun chu ke tan mera
Sun sun sun sun to aye hawa
Na chal tu yun chu ke tan mera
Dekhe koi chede mujhe mausam manchala

Mausam yeh awesome bada
Mausam yeh awesome bada
Mausam yeh awesome bada
Jadu chaa gaya

Mausam yeh awesome bada
Mausam yeh awesome bada
Mausam yeh awesome bada

Jadu chaa gaya

Lai lai lie lie le

Phir khula aasman tune mujhe hai de diya
Shukhriya shukria kaise kahe mein shukriya
Kya kahu kya karu
Bas mein nahi hai yeh jiya
Jee liya jee liya ek pal ko mein jee liya

Kal phir se yeh hoga na hoga yeh shama

Mausam yeh awesome bada
Mausam yeh awesome bada
Mausam yeh awesome bada
Jaadu chaa gaya


Chulbuli chulbuli Kaise hawa chulbuli
Gudgudi gudgudi sare badan mein gudgudi

Door se dhondti kiski nigahein aa rahi
Kyon mujhe yun nai itne aadayein aa rahi

Akela hai maan bheeg badan maan mein pyaas kya

Mausam yeh awesome bada
Mausam yeh awesome bada
Mausam yeh awesome bada
Jaadu chaa gaya

Sun sun sun sun to aye hawa
Na chal tu yun chu ke tan mera
Dekhe koi chede mujhe mausam manchala

Mausam yeh awesome bada
Mausam yeh awesome bada
Mausam yeh awesome bada
Jaadu chaa gaya

Sudh Hindi

Sochna Kya - Ghayal (1990)

Hehehe... The tune of song "Sochna Kya" (http://www.youtube.com/watch?v=lzmHuoKlHX8) was "borrowed" from the latino hit of '90 "Lambada" by Kaoma (http://www.youtube.com/watch?v=5AfTl5Vg73A)

• At the end of the 1989 summer, a couple of French business men came to Brazil and bought the musical rights of about 300 lambada songs. They went back to France, and created the Kaoma Band and generated a lot of money on marketing, turning Lambada a world-wide known style, reaching even the far east of Japan in which Lambada is danced until nowadays.Lambada entered the global mainstream when the French pop group Kaoma recorded a number one worldwide summer hit "Lambada" which sold 5 million singles in 1989. In Portuguese the Lambada song is called Chorando se foi which means the one who left crying.In the music video, there were two young children, named Chico and Roberta, performing the lambada dance. They shortly thereafter started their own musical career.The Lambada song was actually an unauthorized translation of the song Llorando se fue (1982) (which means: the one who left crying), from the Bolivian group Los K’jarkas.

lekin mujhko Hindi lyrics bahot pasand hai aur it's more meaningful than the Latino version.

Sochna kya jo bhi hoga dekha Jaayega
kalke liye aaj ko na khona aaj ye na kal Aayega
Sochna kya jo bhi hoga dekha Jaayega
Jo hona hoga hoga wahi sochke thu kya Paayega

Saath hai hum sab isse badi kya Khushi
Thoda muskuraavo thoda Gungunaao ........Isi kaa hai naam Zindagi
Saath hai hum sab isse badi kya Khushi
Koyi na jaane kab aajaaye gadi bicchad Jaaneki

Sochna kya ....................

Woh hai insaan hansthe gaathe jo Jiye
Zindagi salaamat pyar ki hi neemat............Aur hume kya chaahiye
Woh hai insaan hansthe gaathe jo Jiye
Chehron mein Chaman pathjad mein Bahar .........Hothi hai uske Liye

Sochna kya................

daytoday hindi :-)

Is men jaan nahin hai.
Main kuch karunga.
Mujhe kuch karnaa hai.

Hindi movie quotes. Dhoom.

Sheena: ...Vah mera kaam tha. My job. So you and me...kabhi soch nahin ho.
(leaving)
Ali (looking at the sky): Kya, Mummy, ha?

शीना: वह मेरा काम था। My job. So you and me...कभी सोच नहीं हो।

अली : क्या, मम्मी, हाँ?

Reason and passion...

"...Among the hills, when you sit in the cool shade of the white poplars, sharing the peace and serenity of distant fields and meadows - then let your heart say in silence, "God rests in reason."

And when the storm comes, and the mighty wind shakes the forest, and thunder and lightning proclaim the majesty of the sky, - then let your heart say in awe, "God moves in passion." ..."

hindi sayin'

Tashan mat mar!

Hindi saying

Kya kaam karne ke lie muharat dekhana hai.

Lyrics 'Move your body' form 'Johnny Gaddaar' movie

Here comes the lyrics....

dub (doob) = ḍubānā =

• drown
• flood
• immerse
• merge
• overflow
• overwhelm
• plunge
• sink
• submerge

ja = jaanaa = to go
doob jaanaa = to be drown
mere pyaar mein = into my love

Doob ja mere pyaar mein = Being drown into my love

Jab = when
kudiye = kudānā = dance
Jab kudiye = when dance


Doob ja mere pyaar mein 4
o yeah 2
o yeah all da sexy gals
all da sexy boys
[Got ya move ur 2
Got ya move ur body tonite ]2
Like this...

Move ur body baby 2
Jab kudiye
Move ur body baby 2
u got to 2
soni baliye





[Got ya move ur 2
Got ya move ur body tonite ]2
Like this...like this like this
n tht n this n tht

[Sab ek baat pe ade hai
Sab paise naal jude hai ]2
Abb paise fek tamaasaha dekh
Tamaasaha dekh Paise dekh
lyrics from lyricsmasti.com
are kismat ka hai khel

Rock to da rythm n rock to ryhme 2
We gona watchin tonite

Life is a gamble boys
So u know dat ur bare
a play ur card rite
If u gona take a chance
Then u know tht u stand up vam time
This is just a game
So u gona keep on playing
Cos u know wht i m saying
and know u might win this tonite

Tel me ur handle game
kya hoga woh hai teri kismat
Tel me ur handle it
Lekin bazi khelega is waqt
U cud get rich or poor
Baby better really take it slow
or u really know
so here we go hit the show

Move ur body baby 2
Jab kudiye
Move ur body baby 2
u got to 2


[Abhi baap na bada na bhaiya
abhi sabse bada rupaiya]2
tu bhi paise fek tamaasaha dekh
Tamaasaha dekh Paise dekh
LyricsMasti.com
are kismat ka hai khel

Move ur body baby 2
Jab kudiye
Move ur body baby 2
u got to 2
L.y.r.i.c.s.M.>a soni baliye

Upcoming Bollywood movies

Apr 11, 2008
Humsey Hai Jahaan
Krazzy 4
U Me Aur Hum

Apr 18, 2008
Jimmy

Apr 25, 2008
Ronnie & Rocky
Tashan

May 1, 2008
Heroes

May 2, 2008
Ghatothkach
Hijack
Jannat
Pankh

May 9, 2008
Bhoothnath

May 23, 2008
Allah Ke Banday
Har Pall
Mere Baap Pehle Aap

May 2008
Aamir
Alibaug
Anamika
Chal Chala Chal
Do Aur Do Paanch
Ek - The Power Of One
Hawai Dada
Hello
Maharathi
Mr. White Mr. Black
Oh My God
Phir Kabhi
Ru Ba Ru
The Great Indian Butterfly
Wednesday
Woodstock Villa
Zindagi Tere Naam

Jun 6, 2008
C Kkompany
De Taali
Mehbooba
Right Ya Wrong

Jun 13, 2008
Love Story 2050

Jun 27, 2008
God Tussi Great Ho
Kunal Kohli'S Next

June 2008
Aashayein
Dulha Mil Gaya
Jaane Tu Ya Jaane Na
Kismat Konnection
Sarkar Raaj

Jul 11, 2008
Money Hain To Honey Hain

Jul 25, 2008
Haal-E-Dil

July 2008
Bombay Meri Jaan
Mahadev Ka Sajjanpur

Aug 8, 2008
Singh Is Kinng

Aug 15, 2008
Bachna Ae Haseeno
Drona

Aug 29, 2008
Rock On
Roshan

August 2008
Dhoondte Reh Jaaoge
Kidnap

September 2008
Dev D
Had Bahedi

Oct 2, 2008
Ghajini Remake

Oct 24, 2008
Golmaal Returns
Roadside Romeo
Yuvraaj

October 2008
Fashion
Shoebite

Nov 21, 2008
Aladin And The Mystery Of The Lamp

November 2008
Toonpur Ka Superhero

Dec 5, 2008
Kambakth Ishq

Dec 12, 2008
Rab Ne Bana Di Jodi

Dec 25, 2008
Imtiaz Ali'S Saif-Deepika

U, Me Aur Hum (2008)

First off, I wanna say I like it. It was unusual experience of Bollywood.
The man. Ajay Devgan is good and he turned out to be a good actor as well as good director. The movie is well directed and taking in account 2.5 hours (as usual) my behind didn't scream to get hell out of there. There were a few cheesy lines, but...c'mon!
The woman. Kajol. I like her. I like her in Main Hoon Na and I like her here, she is definetely has built-in drama. Somehow, I'd say Kajol wasn't the only one powerful woman role in the movie, there was a ensemble: Isha Sharwani, Rituparna Sengupta, Sarika and Divya Dutta. Dunno much about them, but I like the most Isha Sharwani (U Me Aur Hum (2008), Good Boy Bad Boy (2007), Rocky (2006), Kisna (2005)), may be because of her dancing skills :-)
The soundtrack. The mixture of Latino rhytms with Hindi language :-) Sounded good to me :-)

Now, I heard that Ajay Devgan made UMH after "The Notebook". It's been on my desk for almost one week and a half (not enough time), lekin main vah film dekhuga.

The first day at Pier 61

OMG! It's been already four hours since all those tumblin', jumpin', fallin', rollin' were finished and my head still is not in the right place, not head exactly but brains :-)
The stretching wasn't that brutal as I expected (thank you to http://bollywoodfunknyc.com class), but abs and push ups bootcamp-style was hard. During 1.5 hour I practised handstand, roll forward, handstand and roll froward, roll backward and push up (sucked!), cartwheel (so-so), front flip from handstand and backflip with arms.
So..what's important I took with me from there....let's see:
1) Handstand
a) one of the most important skills in gymnastics is a good solid tight handstand. Without it a majority of other skills will suffer. (nice! positive thinking!)
b) the handstand should be as tall as possible. The gymnast should be stretching upwards towards the ceiling and staying hollow. A gymnast should be able to look at their toes while in a handstand. Doing this requires the handstand to be tight and hollow. (that's easy to say! tips is when you reach vertical position look at the toes - it allows to suck abs in and eventually create a hollow position)
c) the best way to get comfortable in a handstand is to do a lot of handstands. (no doubts!)

2) Handstand forward roll
nothing special to say except keep practising a perfect tight and hollow handstand - arms straight!

3) Backward roll to hanstand push up - place arm as far as possible and push up legs as soon as you see the toes.

Stretching...and soreness and injury.

I found very well written article which I agree with.

"So is it wise to stretch when you are sore? It really depends on the goal of the stretch. If your goal is to increase flexibility, you'll likely do more harm than good.
If your goal is to relieve the soreness, light stretching is a great idea. Keyword: [LIGHT] Avoid isometrics and static-active stretches during these times, soreness is a sign of muscle tissue damage. Stretching exercises like these can compound the damage and delay recovery. Stick to light dynamic or relaxed stretching and perform only enough to feel relief. If we are talking about injury, you can probably do some slow dynamic stretches, or some gentle relaxed stretches, possibly some static-active stretches, but again: DO NOT focus on flexibility gains during these times. Avoid all exercises with strong muscular tensions as well as any movements at the maximum range of motion. When a muscular injury heals, it heals at a shorter length. Very light stretching, preferably light relaxed stretching, could help prevent an excessive loss of flexibility and sometimes relieve pain. Following an injury, it's essential to regain lost flexibility to prevent relapse. But, on a final note: DURING INJURY OR SORENESS - YOUR GOAL SHOULD NOT BE TO INCREASE FLEXIBILITY / ONLY RELIEVE PAIN OR PREVENT EXCESSIVE LOSS OF FLEXIBILITY. "

the article is taken from http://trickstutorials.com/index.php?page=content/flx2

Hindi. Gender matters...

1. yah ladkaa meraa chotaa bhaaii hai -> This boy is my little brother
2. yah ladkii merii chotii bahin hai -> This girl is my little sister
3. meraa betaa thiik hai lekin merii betii biimaar hai - My son is well but my daighter is sick

ATTN: The speaker of the three sentences above could be either male or female: THE GENDER of MERAA/MERII DEPENDS ON THE THING OR PERSON POSSESSED, NOT THE POSSESSOR.

aapkAA betAA kaafi lambAA hai
aapkII betII bahut sundar hai

Invariable adjectives:

zindaa - alive
shadii-shudaa - married
khalii - vacant, epmty, free

Learning Hindi...

Dear Reader,

if You know Hindi, please feel free to correct the text below or give a piece of advice for I study this beautiful language and will be very gratefull to You. :-)


Meraa Subah.

Aam taur par mujhe saadhe chaar baje jagaataa lekin aaj subah mujhe paanch baje jagaaya. Yah uthne men mujhe aadhaa ghantaa lagtaa thaa kyonki mujhe bahut thakaa lag raha thaa. Kal main naach klaas aya aur der se ghar men pahumchaa. Main khidki ke baahar dekhaa.Vah baarish ho rahi thi. Mujhe baarish subah pasand nahin hai. Main andar bahut rahnaa, sonaa aur sapnaa dekhnaa chahtaa thaa lekin kaam ko aya.

• to look = dekhnaa (sometimes uses ne construction in perfective tenses)
• window f = khidki
• subah f = morning
• baahar = outside
• ... ke baahar = outside of something
• andar = inside
• ... ke andar inside of something
• baarish f = rain
• baarish honaa = to rain
• rahnaa = to stay
• sapnaa dekhnaa = to dream
• aam taur par = usually
• likhnaa = to write (sometimes uses ne construction in perfective tenses)
• khat m = letter also chitthi f , patr m

Quotes about dancing...

My favourites:

• Please send me your last pair of shoes, worn out with dancing as you mentioned in your letter, so that I might have something to press against my heart. ~ Johann Wolfgang von Goethe
• We're fools whether we dance or not, so we might as well dance. ~ Japanese Proverb
• Dancing is the perpendicular expression of a horizontal desire.
• To dance is to be out of yourself. Larger, more beautiful, more powerful. ~ Agnes De Mille
• It takes an athlete to dance, but an artist to be a dancer. ~ Shanna LaFleur
• I don't want people who want to dance, I want people who have to dance. ~ George Balanchine
• Anyone who says sunshine brings happiness has never danced in the rain.

Hindi grammar...Kriya, Kaal aur Vachya

A. Kinds of Verbs:

Sakarmak Kriya (Transitive Verb) - These cause direct effect on another person/object. These are of two types-

• Preranarthak Kriya (Causative Verb)
• Dwikarmak Kriya (Verbs with two objects)

Akarmak Kriya (Intransitive Verb) - Have no effect on others.

B. Kaal (Tense)

Bhoot Kal (Past tense)

1. Samanya Bhoot(Past Indefinite)
2. Aasann Bhoot(Past Imminent)
3. Apurn Bhoot(Past Continuous)
4. Purna Bhoot(Past Perfect)
5. Sandigdh Bhoot(Past Doubtful)
6. Hetuhetumad Bhoot(Past Conditional)

Vartman Kal(Present tense)

1. Samanya Vartman (Present Indefinite)
2. Apurn Vartman(Present Continuous)
3. Sandigdh Vartman (Present Doubtful)

Bhavishya kal (Future tense)

1. Samanya Bhavishya (Future Indefinite)
2. Sambhabya Bhavishya (Future Conditional or Doubtful)

C. Vachya (Voice)

Kartri Vachya (Active Voice)
Karm Vachya (Passive Voice)
Bhav Vachya (Impersonal Voice)

... So it'd better be damn good.

"We don't get a chance to do that many things, and every one should be really excellent. Life is brief and then you die...So it'd better be damn good."
Steve Jobs

Ek sher

Duniya mein bahut gham mileinge
Sach mano achhe dost kam mileinge
Jis mod par sab chhod jayenge saath tumhara
usi mod par khadey ham milenge...